By Arti
After looking at forthcoming releases in my last post, we turn to books that are being adapted and are currently in development or in production.
James (2024) by Percival Everett
With Stephen Spielberg as executive producer, in pre-production, to be directed by Taika Waititi (Jojo Rabbit, 2019) James is Percival Everett’s re-imagination of The Adventure of Huckleberry Finn from the perspective of escaped slave Jim. Currently, the highly acclaimed novel is short-listed for this year’s Booker Prize. This is the second movie adaptation of Everett’s novels. After the success last year of his Erasure being turned into the Oscar winning American Fiction–for Best Adapted Screenplay–James is a highly anticipated encore.
Hamnet (2020) by Maggie O’Farrell
Another one on Stephen Spielberg’s list as producer, now in production. The adaptation of O’Farrell’s novel (reviewed here) is directed by Nomadland’s Oscar winning Chloé Zhao, with a talented British cast: Jessie Buckley, Emily Watson, Paul Mescal, and Joe Alwyn. The book is a fictional account of Shakespeare and his wife’s loving relationship with their son Hamnet and their coping with his tragic death at the age of eleven. Zhao’s previous films (before Marvel’s The Eternals) are nuanced and soulful cinematic works. I look forward to her helming this adaptation about love and grief.
Knife: Meditations after an Attempted Murder (2024) by Salman Rushdie
Rushdie’s personal account of the traumatic, life altering event of being stabbed multiple times while on stage in upstate New York, August 2022, and his slow and painful recuperation. Ironically, he was speaking on the topic of keeping writers safe. His memoir will be adapted to the screen by the Oscar winning documentarian Alex Gibney. I’ve given this book 4 stars on Goodreads, was totally riveted by Rushdie’s writing. I hope Gibney’s is an effective documentation and a cautionary testimonial to safeguard artists from harm.
The Chronicles of Narnia (1950’s) by C. S. Lewis
After crashing the glass ceiling, catapulting Barbie to a record $1.4 billion box office sale by a sole woman director, Greta Gerwig is tasked to write and helm at least two of C. S. Lewis’s beloved children series as Netflix films. In a BBC interview, Gerwig said: “I’m slightly in the place of terror because I really do have such reverence for Narnia… I’m intimidated by doing this. It’s something that feels like a worthy thing to be intimidated by.” Let’s hope her fear is a driving force to push her towards excellence in adapting this meaningful book series.
Crying in H Mart (2021) by Michelle Zauner
Poignant memoir of Zauner’s, singer songwriter of the band Japanese Breakfast, about her rediscovery of her Korean heritage and reestablishing a deeper mother-daughter relationship through food and cooking… alas, after her mother’s terminal cancer diagnosis. As an Asian American, with a father of Caucasian of Jewish heritage, Zauner is a new and significant voice. She is writing the script herself, Will Sharpe (The White Lotus) directing. Zauner will create the soundtrack with her group Japanese Breakfast. The memoir is an American Book Award winner (2022) and the 2021 Goodreads Choice Award for Memoir & Autobiography, 55 weeks in the NYT Bestseller list.
Tomorrow and Tomorrow and Tomorrow (2022) by Gabrielle Zevin
Here’s another contemporary literary voice from a biracial American writer. Like H Mart author Zauner, Zevin’s father is of Jewish and her mother of Korean heritage. Its title alluding to Shakespeare’s Macbeth, Tomorrow and Tomorrow and Tomorrow (reviewed here) is a unique and original story about self, love, and video games. Goodreads Choice Awards in Fiction (2022) and top book of the year on numerous lists, and one of my best reads last year. Excited to find out that Paramount Pictures had acquired the film rights even before the book was published, and recently learned that Siân Heder, the Oscar winning director of CODA (2021), has signed on to direct.
The Woman in Cabin 10 (2016) by Ruth Ware
Ruth Ware’s popular suspense thriller takes place on a cruise ship, and will feature British star Keira Knightley on board as a journalist who is the only eyewitness to a murder. The Netflix movie will be directed by Simon Stone (The Dig, 2021). Other Ruth Ware books on the drawing board for adaptation are The Turn of the Key and The It Girl. No further info on these yet.
Run Rose Run (2022) by Dolly Parton and James Patterson
Dolly Parton and country music fans take note, the legendary singer’s dip into the literary ink pot with her first fiction, a thriller she co-wrote with James Patterson, is to be adapted onto screen. The NYT bestseller about a young singer songwriter on the rise and on the run will be produced by Reese Witherspoon.
*****
Which books would you love to see adapted for the screen?
Arti blogs at Ripple Effects where this post originated.
I’d watch Tomorrow, but I’m not sure about Hamnet. That book was just SO good, I doubt they could get it right.
Great cast and production team though… I couldn’t get into the book unlike you!
Did you see Branagh’s Shakespeare biopic film, All is True? I rather enjoyed it, although Judi Dench was a bit old for Anne Hathaway really.
I love Greta Gerwig but I’m a bit worried about Narnia, does it really have to be done again?
I’m with you, no more Narnia on the screen please. I’m interested in Hamnet, though – and I haven’t read the book.
It’s like Netflix are redoing the HPs too.