The Oxford Book of Theatrical Anecdotes, edited by Gyles Brandreth
Reviewed by Harriet This, obviously, is a book for those who like a good theatrical anecdote. I certainly do, and have been privy to many of them since I was…
Reviewed by Harriet This, obviously, is a book for those who like a good theatrical anecdote. I certainly do, and have been privy to many of them since I was…
Reviewed by Harriet When we think of London’s National Theatre, most of us will envisage the great concrete complex on the South Bank of the Thames, designed by Denis Lasdun…
Reviewed by Harriet Back in 2015 I wrote a review for Shiny of Jonathan Croall’s Performing King Lear, a wonderfully well-researched survey of performances of this great and challenging play….
Reviewed by Harriet Born in Cardiff in 1939, Peter Gill is a distinguished theatre director and playwright. But he started his career as an actor in the early 1960s, working…
Reviewed by Harriet The role of King Lear is seen today as the ultimate challenge for the classical actor, the one that provides the supreme test of his abilities in…
Reviewed by Harriet I do enjoy a bit of theatre history from time to time, and I must admit to a bit of a vested interest in this one. Both…